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Services

Six areas of work, one objective.

Each engagement is scoped around where the project actually is — not where it hopes to be. Below is what each area covers, who it suits, and what you receive.

01

Grant Research

Finding realistic funding opportunities based on your project's stage, country and goals.

Who it's for

Filmmakers who know their project needs money but not which funders will actually consider it.

What's included

  • Assessment of the project's stage, format, budget band and territory
  • Screening of public funds, foundations, broadcasters, labs and private schemes
  • Eligibility checks against each funder's published criteria
  • Deadline mapping across the next two to four application cycles

Deliverables

  • Shortlist of qualified opportunities with eligibility notes
  • Deadline calendar with required materials per funder
  • Notes on funders to deprioritise, and why

Typical timeline

Two to three weeks, depending on territory count.

Expected outcome

A short, defensible list of funders worth your time, instead of an open browser with forty tabs.

02

Grant Applications

Preparing competitive applications that align with each funder's priorities.

Who it's for

Projects with a confirmed target fund and a deadline in view.

What's included

  • Close reading of the guidelines, scoring criteria and past supported slates
  • Drafting and structuring of narrative sections
  • Alignment of logline, synopsis, director's statement and rationale
  • Consistency check across budget, schedule and finance plan narrative

Deliverables

  • Full application draft prepared for your review
  • Document checklist with status per item
  • Final submission-ready package

Typical timeline

Three to five weeks before the deadline is comfortable.

Expected outcome

An application that answers what the funder is actually assessing, in their language and their order.

03

Funding Strategy

Building a clear roadmap instead of chasing random opportunities.

Who it's for

Projects with several possible routes and no agreed sequence between them.

What's included

  • Review of current attachments, materials and financing to date
  • Sequencing of soft money, equity, presales and co-production routes
  • Stage gates: what must be true before each approach is made
  • Risk notes on timing, territory and eligibility conflicts

Deliverables

  • Written funding roadmap with sequenced stages
  • Target list per stage
  • Materials plan tied to each stage

Typical timeline

Two to four weeks.

Expected outcome

A decision-making order you can hold to, and explain to collaborators.

04

Producer Research

Identifying producers whose previous work genuinely aligns with the project.

Who it's for

Directors and writers who need a producer, not a mailing list.

What's included

  • Definition of the producer profile the project actually needs
  • Research across credits, budget bands, territories and financing history
  • Verification of current activity and slate fit
  • Approach notes: relevance, timing and what to lead with

Deliverables

  • Tiered producer list with rationale per name
  • Company and credit context for each
  • Draft approach framing

Typical timeline

Two to three weeks.

Expected outcome

A list of people for whom your project is a plausible next film.

05

Co-production Strategy

Helping projects position themselves for international partnerships.

Who it's for

Projects with a credible link to a second or third territory.

What's included

  • Review of treaty routes, national fund requirements and spend conditions
  • Assessment of which elements can travel and which cannot
  • Partner profile definition per territory
  • Sequencing of domestic and international applications

Deliverables

  • Territory assessment with route options
  • Partner profile brief per territory
  • Application sequencing plan

Typical timeline

Three to five weeks.

Expected outcome

A structure a foreign partner can read and recognise as workable.

06

Submission Support

Managing documentation and application readiness from beginning to end.

Who it's for

Filmmakers carrying multiple deadlines at once.

What's included

  • Master document library and version control
  • Per-funder requirement checklists
  • Deadline tracking and pre-submission review
  • Portal handling and formatting to spec

Deliverables

  • Organised, current document library
  • Submission tracker with status per application
  • Pre-submission review notes

Typical timeline

Ongoing, per cycle.

Expected outcome

Nothing missed on a technicality.

Not sure which of these your project needs?

Describe where the project stands and I'll tell you what the next useful step is.

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